Malaysia continues to play an active role in the growth of sound system culture across Southeast Asia. One example is Langkawi Dub Club, a collective from Langkawi Island that began taking shape in 2022. What started with a small group of selectors and MCs has developed into a focused movement, built on a shared interest in low-frequency music and a steady commitment to collective work. By 2024, they had constructed their own full stack sound system—an important step that strengthened their presence within the dub landscape.

The collective is driven by three key figures: Miroll, King-I, and Joe PV. Together, they position Langkawi Dub Club as more than just a music platform. It functions as a channel for transmitting the values embedded in sound system culture—using music as a way to circulate energy, ideas, and connection between communities.

Their sound draws from reggae, dub, and steppa, reflecting a strong foundation in Jamaican musical traditions while staying responsive to contemporary sound system developments. Their sessions often take place in small, community-oriented spaces such as Imangroove Cafe, Mola Mola Cafe, and SB LGK—venues that also bring together different subcultures, including skateboarding.

The influence of figures like Jah Shaka, Aba Shanti-I, Iration Steppas, and O.B.F is evident in their approach. Rather than simply adopting these references, Langkawi Dub Club adapts them into a local context, shaping a distinct identity rooted in their own environment. They have also begun building their discography with several independent releases.

Looking ahead, Langkawi Dub Club sees their work as part of a broader movement unfolding across Southeast Asia. They remain actively involved in pushing this culture forward—not only as a form of entertainment, but as a platform for exchanging ideas, energy, and collective awareness across borders.

Follow Langkawi Dub Club’s journey through their social media channels.
Instagram | Bandcamp | Spotify

(Keyko & Sam)